New from the Cakewalk Blog.
Great interview with Film Composer James Bernhard, a Sonar user incidentally. He has a strong perception of what is right, and what isn't for him. Coupled with these nuggets of wisdom and experience, are also very handy tips for aspiring composers for Film and TV.
I like the questions asked by the interviewer from Cakewalk :)
I am wondering why composers are secretive about the sounds, libraries and gears they use?
I like it when James say that in today's world of music, a demo track is often required to be broadcast quality, available to be used at an instant's request.
I also like the fact that he prioritises quality over speed. He rather have it right, than to have it fast. However, I also appreciate a lot of people in a situation when they are cornered into just meeting deadlines or budgets. At this point in time I can only draw on my professional experience as a CG / VFX artist. I hope I get to experience a full swing project cycle of stress, deadline versus budget kind of struggle, as a composer one of these days.
Thanks for the great interview, Cakewalk!
Patrick, Thank you for your kind words. I should imagine that you are a composer as well. It's easy to tell. When you wake up in the morning and all you can think about is that next stem, you are a composer. Best of luck.
ReplyDeleteSincerely, James Bernhard
Wow! I never expected a reply, James! Thank you for the kind words of encouragement, I really appreciate it.
DeleteI tried to visit the original post, and it is a pity no longer exists there.
I hope you are in good health and doing very well! Looking forward to hearing more of your works!
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